The poetic relationship, between the ancient ritual of Zenerù and the life of the hermit shepherd Flaminio, makes us reflect on the border between domestic and wild, between known and unknown. At the end of the winter, Flaminio, a resistant shepherd, prepares materially and spiritually for the arrival of the spring through daily rituals, using the tools he built for himself: he moves and sows the ground, shears the sheep and makes a woolen suit for the new season. The communities of the valley chase the winter away with cowbells and bonfires through the ritual of Scasada dol Zenerù, which is inserted into the story of the shepherd’s life as a dreamlike element that draws on an ancestral memory. Flaminio’s sensitivity, strongly connected to Nature, allows him to perceive when it is time to call the community to act, starting the ritual.